Nike Shox Torch 2 The heroine of the play was a maid-servant employed by a very wealthy tea planter

The heroine of the play was a maid-servant employed by a very wealthy tea planter, who was the father of the lover who sang through his nose. The lover, like all lovers urged the girl to be his in songs that were issued through his nose for fifteen minutes at a time. He, the heroine, would endeavor to look shy all through this unsufferably long song of nasal sound, and then she would take up the same refrain, and to the same tune sing back at him for the same length, and after his own style, while he would hang his head and listen. Their gestures were very few, and they usually stood in one spot on the stage. Sometimes they would embrace, but only to fall apart and sing at each other again.
The play goes on. A bold, bad robber, whose chalk-whitened face has a most Jewish cast, sees the maid-servant and falls in love with her. She repels his advances and goes into her master’s house. Then the robber puts a cross on the house and vows that he will return with his men to kill the inhabitants, for the heroine, in her simplicity, confesses to the truth of his supposition that she loves another, and that other is her master’s son, so the villain swears that he will return, kill the people of the house, and not only carry off the wealth but the maidservant as well.
After the robber departs, the heroine comes out, and spies the cross upon her house. With a crafty look upon her face, she picks up the chalk which the robber had dropped, and marks all the other houses in the street in just the same way, so that when the robber returns he is foiled in his bold, bad game, for he cannot tell which house holds his charmer, and her wealthy lover and master. He is a patient robber, and lies in wait until the lovers come forth to coo on the street. While they are busy, making love through their noses, the man plays the organ with energy, the turbaned musician beats the tom-tom as if his life depended upon it, and the bold, bad robber clutches at his stomach, twists his face into the most agonized expressions, and otherwise shows his agony to the audience. When they go into the house he is about to follow, when the master appears, and, as he is going in, the robber approaches and, saying that he is a wealthy tea-merchant, begs to be permitted to rest at his house that night. The master most cordially consents, just as the heroine appears, and she, having heard the conversation tells her master not to allow the man to stay. The master becomes very angry at her boldness and promises her a liberal punishment, to take effect later in the day.
The merchant begs to be permitted to have his cases of tea placed within the garden-walls of his host, that the tea may be safe through the night. Of course the host consents, and the next scene shows the chests of tea in the garden, and the bold robber puts out the light at the door and goes into the house to bide his time. Even that heroine dreams, and, like other heroines, selects the cool, sweet night and the garden to dream in. She is surprised to find the garden in darkness, and lays her finger to the side of her nose when she sees the lamp is not burning. As she skips about, smelling the artificial flowers, the lid of a tea-chest is raised slightly, and a man sings something through his nose. She starts back in surprise, but instead of screaming, she answers the inquiry in nasal tones, and she learns that the chests are not filled with tea, but with men who belong to the robber, for whom they mistook her. When the man closes the lid again to wait the bidding to come forth, she deftly locks all the cases, and then calls upon a man servant who helps her, the heroine, to carry these cases containing men into a house in which they are securely locked.